Structurellism of the Beaudier Painter.
“They are not writers nor artists that the having class, owing to its cultural propaganda, intends to cause, they is readers and admirors.
Cultural propaganda endeavors to make feel with managed the abyss which separates them from these prestigious treasures whose leading class holds the keys…”
Jean Dubuffet. Asphyxiating culture. (1968). But today as regards art which holds the keys and which are managed?
Always it is that nowadays, an independent artist can, if it wishes it, create and found its own movement. It is exactly what has just done the Beaudier Painter by melting Structurellisme.
Do not seek exactly why but we will name it the opener of way…
We will describe Structurellisme as a pictorial movement. The first shelf to avoid it is confusion with the word Structuralisme.
Structuralism in literature is current of thought born of linguistics and theories of the linguist Ferdinand de Saussure (1857-1913) it develops in the
years 1960 and 1970 in the field of the literary critic, it is characterized by the research of the direction within the hidden structure of the text. It influences also
anthropology, sociology, the psychoanalysis and philosophy. It is the linguist Roman Jakobson (1896-1982), (Tests of general linguistics, 1963-1973) and the
anthropologist Claude Lévi-Strauss (1908 - 2009) (elementary Structures of the relationship, 1949) who introduces this movement of thought in France.
Here the definition of the pictorial movement Structurellisme such as you will be able to find it on the web site of the Beaudier Painter.
The purpose of Structurellisme is principal to emphasize in each work, the spiritual side of nature and the heart of each one of its creations. It proposes the side structural of nature.
Pictures carried out can be: Structured, Removed the structure from, Restructured
The technique consists in aligning keys of color on the basis of the center like a sun. The alliance of the form (by the support) and of the color,
thus makes it possible to carry out the structured works, removed the structure from or in multi-dimensions.
The opener of way explodes the forms and the colors starting from the geometrical center of the fabric. It is particularly visible in Timeless gleams
where the colors burst starting from the center while following the composition of the obliques. It is also the case in Ultime Amplitude but in this case
the explosion is linear even if the obliques are always the guiding line. It is here about a bursting of forms more than of lines.
But what thus made the Painter Beaudier, opener of way, before inventing Structurellism ? And well it is simple it copied or took as a starting point Van Gogh.
This influence appears in its manner of representing nature, the sky, the sun and the clouds. The key of Vincent is very close there. Out it is that Van Gogh is not
completely a Master like the others. It is him also an opener of way. Vincent carries out a very personal synthesis between impressionism and the world floating
of the Japanese Masters, it is the first to understand that the color should be outraged, before him never such hot colors had not cohabited on a picture.
By its violent and very arbitrary use of the color it is the precursor of the deer and expressionism. In the Beaudier Painter the use of the central prospect
and the use for very hot colors, near to the deer give explosions of colors and an optical effect of projection towards the spectator. A feeling of bursting in space.
On the level of the colors the comparison with the pallet of Matisse is very rich of teaching.
Today Structurellism come with its rules, its central prospect, the alignment of the colors starting from the center, it wants to highlight with dimensions spiritual nature.
As the Beaudier Painter uses recognizable forms, especially trees, we can speak about figurative Structurellism. Tomorrow in this movement will come can be other
painters and we will have to use the term of Structurellism Abstrait.
Who can know?